Open Field Station - Femke Dekker Japanese Architecture / Crying Whát I dó

/ Crying Whát I dó is me: for that I came

From acclaimed theorist and trans icon McKenzie Wark

Youmna Saba

and a personal afterword by Tadao Ando

Jarman presents his illness in delirium and metaphors

Open Field Station - Femke Dekker Japanese Architecture / Crying Whát I dóPractitioner, educator, DJ, and researcher, Femke Dekker (also known as Loma Doom) has long been immersed in both sound and education. Across lecture halls, archives, festivals, art galleries, independent radio stations, and dance floors, she orbits a central question: What if listening itself were an artistic practice? What might unfold when listening becomes method, medium, and material? Open Field Listening takes shape around these ideas. Presented